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Music Licensing for Internet Radio in South Africa: SAMRO, SAMPRA and CAPASSO Explained

23 September 2026

This is a general overview, not legal advice. Licensing requirements can change and depend on your specific use, so confirm directly with each organisation before you launch. Khwaza Radio does not hold or arrange music licences on your behalf — see our Terms.

If you're broadcasting recorded music in South Africa — over the air or online — you're generally dealing with two separate kinds of rights, collected by three different organisations. It trips a lot of first-time broadcasters up, so here's the short version.

SAMRO — the composition itself

The Southern African Music Rights Organisation licenses the underlying musical work — the melody, lyrics and composition — on behalf of composers, songwriters and publishers. If a track is played, performed, or broadcast, SAMRO is generally the body concerned with the writer's side of that.

SAMPRA — the recording itself

The South African Music Performance Rights Association licenses "needletime" — the right to play a specific recorded performance — on behalf of performers and record labels. This is a separate right from SAMRO's: SAMRO covers the song as written, SAMPRA covers the recording of it that you're actually playing.

CAPASSO — reproduction / mechanical rights

CAPASSO (Composers, Authors and Publishers Association) administers mechanical rights — the right to reproduce a work, for example by copying tracks into an AutoDJ library or a playout system. If your station stores and plays music from its own library rather than streaming a live external feed, this is typically the relevant one.

So do I need all three?

In most cases, an internet radio station playing commercially released recorded music — live and via AutoDJ — needs to deal with all three: SAMRO and SAMPRA for broadcasting the material, and CAPASSO for storing/reproducing it in your playout system. Community, campus and church stations are not automatically exempt because they're non-commercial or small — contact each organisation directly to confirm what applies to your specific setup, station size and content mix.

Where to start

If you're playing entirely original, royalty-free, or Creative-Commons-licensed music, some of this may not apply — but confirm that in writing with the relevant body rather than assuming. Keep whatever licence confirmation you receive; it's the thing you want on hand if anyone ever asks.